Installations
(click on thumbnails to open larger images)
Light Touch at Dyscorpia Exhibition, Edmonton, 2019
Light Touch was installed for the exhibition Dyscorpia: Future Intersections of the Body and Technology (April 23 to July 4,2019. It is about understanding ourselves through the images that an alternate reality embedded in science, technology, and the mirror reveal to us. The installation includes a poetic statement that the dichotomy between the act of touching and scientific data to formulate understanding. Light Touch is an exploration of the human body as matter and as light. The silk fabric hanging tent-like enclosure invites the viewer into a quiet space to contemplate our changing visions of what it means to be human and how we understand the body differently today. Using combinations of printed photographic images of hands and arms gently supporting MRI scans of a head, combined with poetic text, the work is meant to be at once caring and unsettling.
An accompanying video projection on silk, Light Touch: Self Portrait, portrays diagnostic CT and MRI scans as an animation, reflecting on how it feels to view one’s body as traces of light (disembodied) during a personal journey with lung cancer.
An accompanying video projection on silk, Light Touch: Self Portrait, portrays diagnostic CT and MRI scans as an animation, reflecting on how it feels to view one’s body as traces of light (disembodied) during a personal journey with lung cancer.
Silken Refuge at Lodz, Poland, 2017; Irsee, Bavaria, 2017; Edmonton, Canada 2017; Buenos Aires 2018
Silken Refuge, 2017. Inkjet print on silk, aluminum rods, cord. 6.5 m. x 160 cm. x 160 cm.
Surfacing I and Turbulent Chroma Bookwork at Debrecen, Hungary, 2013
Dye Sublimation Prints on Polyester fabric, ‘mono’ banner system hardware. Surfacing I two panels 1.5 x 12 meters each.
Surfacing II at Irsee, Bavaria 2013
Dye Sublimation Prints on Polyester fabric, ‘mono’ banner system hardware. Two panels, 1 x 8 meters each.
Differentiating Faith in Calgary, Canada, 2011; New York, 2011; Hamilton & Edmonton, Canada, 2012
Differentiating Faith, 2010. Installation Glenbow Museum, Calgary. Dye sublimation printed polyester, mirrors, wood, steel structure, and wire. Approx. 4.5m x 4.5m x 2.8m (14.8ft x 14.8ft x 9ft)
Perplexed Realities at Edmonton, Canada, 2008; Poznan, Poland, 2009
Perplexed Realities I, 2008, at Art Gallery of Alberta, Perceptions of Promise Exhibition
Perplexed Realities I, Installation view, Jesuits Contemporary Art Gallery, Poznan, Poland, 2009. Dye sublimation digital print on polyester fabric, ‘mono’ banner system hardware (14 ft x 12 ft).
Synectic Stream II, 2005. Poznan, Poland, 2009. Floor piece, layered digital prints, mirrors, glass, wood, 610 x 91 x 25 cm. (20 ft. x 3 ft. x 10 in.)
Synectic Stream II, 2005. Poznan, Poland, 2009. Floor piece, layered digital prints, mirrors, glass, wood, 610 x 91 x 25 cm. (20 ft. x 3 ft. x 10 in.)
